For something of a change in pace, today I have an interview with Historical Romance author Grace Elliott author of A Dead Man's Debt and Eulogy's Secret.
Grace, lease
tell our readers a little about yourself?
My name is Grace
Elliot and I lead a double life as a veterinarian by day and author
of historical romance by night. I work in companion animal practise
just outside London, in a village with a duckpond in front of the
Norman church - history is all around me!
I also act as
housekeeping staff to five cats, two teenage sons and a guinea pig
(not necessarily in order of significance!) I’m an avid reader and
will give any genre a go, but my favourite is historical romance. My
debut novel, “A Dead Man’s Debt” was published last year, and
the first in The Huntley Trilogy, “Eulogy’s Secret” was
released this October!
When did you start writing? What was it you
first wrote?
I started writing after a
“Eureka” moment.
That moment came when at pa school reunion.
Friends I hadn’t seen for twenty years were eager to know if I
still wrote. My puzzled expression betrayed the fact that I’d
completely forgotten how the stories I wrote for English homework,
were often read to a hushed class. At that reunion, it all came
flooding back - the satisfaction of crafting a story, of writing
until your fingers ached, of losing yourself in the characters…so I
went home and after a twenty year gap, started writing again.
My first full length novel (unpublished ) is
called “The Woman Who Paints Horses” and was inspired by a nearby
cottage where a famous Victorian artist used to live. I looked into
her life story and was hooked in the way that you are when the truth
is stranger than fiction. I have a special place in my heart for that
story, and who knows, one day I may re-write it and see what happens.
What period do you write about and why?
“A Dead Man’s Debt” and my latest book,
“Eulogy’s Secret” are both set in the Regency period. I
gravitated to this era because of its natural romance, a time when
women’s fashion favoured flimsy empire line gowns and men cared
about the cut of their jacket. It was a time when men were such
dangerous creatures that for a lady to be alone in a room with one
could ruin her reputation. And then there’s the horses and
carriages, moonlight drives and candlelit balls…and that’s part
of why I write, for the escapism, so what more fertile ground for the
imagination of the romance author than the regency.
What is your theory or belief on how
historically accurate you need to be? How does that affect your
story? For alternative history writers: how did you decide to change
history? How do you reconcile it with “real” history?
Historical accuracy is tantamount, and yet for
me as a romance writer, it shouldn’t be so ‘in your face’ as to
trip the reader up. Take the example of dialogue. If I were to write
authentic contemporary speech appropriate for the Georgina period, it
would be almost impenetrable for today’s reader. So a compromise is
in order. It would be a huge mistake to use words or phrases that are
blatantly out of keeping with the era, but to update the way English
was spoken then to help the flow of dialogue, is in my view,
acceptable.
Having
said that, the importance of historical accuracy can invoke a lot of
strong feelings as I recently found out. Whilst watching an episode
of “The Tudors” I spotted Anne Boleyn riding astride and queried
in a blog post of mine, whether this would have been acceptable in
Tudor times. The deluge of responses to that post proved to me that
accuracy is something people get very heated about and woe betide
anyone that laughs in the face of accuracy. (For those that are
interested here is the link to that post:
http://graceelliot-author.blogspot.com/2011/09/did-anne-boleyn-ride-astride.html
)
Tell me about your main character, real or
fictional and why?
The heroine in my recent release, “Eulogy’s
Secret” is Eulogy Foster. Her character, and indeed the novel
itself, arose out of seeing a poster on the London Underground!
Whilst taking my son’s to the theatre, through the scratched glass
of a Jubilee line train, I saw a poster with the word “Eulogy” in
capital letters across it. This stuck in my mind and it occurred to
me what an enigmatic name “Eulogy” would make. Something truly
terrible must have happened for a parent to name their child that -
perhaps the mother dying in childbirth, or even something darker and
more sinister…And so the idea behind Eulogy’s Secret was born.
(That poster, by the way, was advertising a memorial concert at the
Royal Albert Hall.)
Who would you most like to meet from one of
your novels? Tell us about them.
What a good question! I’d
love to meet Tristan Farrell from “Eulogy’s Secret”. Farrell is
the Irish artist who with Eulogy as his model is inspired to paint
truly great works of art that set the Ton buzzing. He’s quite a
character and has an artist’s way of seeing the truth behind the
façade. He’d be excellent company and since Eulogy has already
bagged the hero, Jack Huntley, I’d happily spend time in the
company of the Irish charmer, Tristan Farrell.
What is your next project?
I’m
hard at work at book two in The Huntley Trilogy (working title
“Hope’s Betrayal”.) Each book features one of the three Huntley
brothers and the hero in Hope’s Betrayal is the dashing naval
Captain, George Huntley. I know when the writing is going well when I
dream about the characters - and even if I say so myself, Captain
George Huntley is a humdinger of a man, whom I’m totally in love
with. I can’t wait to finish the book so that I can unleash him on
the world and spread the infatuation. Hope’s Betrayal is going to
be an action packed historical romance with smuggling skulduggery,
treachery and of course….a love that brings Huntley to his knees.
Grace, thank you so much for dropping by and answering our questions.
3 comments:
Thank you so much for hosting me, JR and inviting me to feature on your beautiful blog.
kind regards,
Grace x
Grace, you're very welcome. Thanks for the interview.
Good interview.
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